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Throwing a Rock
Aug 10, ’12
12:37 AM
Last week I returned to the Italian consulate in San Francisco to get a student visa for my upcoming year at Helikos. I’ve been through the process before but like most people, I get edgy around that level of bureaucracy. It’s the feeling of border crossings, TSA screenings, CTBS testing. Anywhere where you are required to be interviewed by someone whose job it is to say no to you.
Here are some of the requirements of a successful visa application:
- completed application form
- one recent passport photograph
- original passport
- photocopy of passport
- original driver’s license
- photocopy of driver license
- original letter in Italian an accredited Italian Academic Institution
- proof of funds: a minimum of $900.00 per each month of stay is required.
- proof of adequate lodgings available for the entire stay
- round-trip flight reservations
It’s certainly not impossible to get it all together, really it’s a simple thing. But I still get completely nervous that they will find something missing or fibbed or wrong and bar me from ever entering Europe again. I imagine the big red stamp, written in block letters: DO NOT LET HIM IN.
All that scrutiny got me thinking of an improvisation class from the first year at the school I’ll be returning to Florence for. The exercise is simple: throw a stone. You turn to the audience and you’re alone on a pebbly beach in front of a vast ocean. You pick up a stone and toss it in the water, watch it splash and that’s all, the end. Dead simple right? It’s certainly not impossible to mime such a simple scene. What is difficult is to tell only the story of the neutral actor, the pebble and the beach. Much harder.
Take this video as an example of how seeing someone perform a seemingly a simple task—in this case throwing a stone with your non-dominate arm—reveals something very funny about human beings.
Submitting my visa application definitely feels like throwing the stone with my non-dominate arm. I performed the simple task but I also did a lot of unnecessary movement, stiff forgetfulness and the gyration of worry, before I lobbed that sheaf of papers over the desk of the consulate and said Grazie mille! when they were accepted.
Even after the application was accepted, the consular website urges me to remember: All visa applications are subject to further review. Applications do NOT guarantee issuance of visas. If an application is rejected, the applicant will be contacted and the passport will be returned along with an explanation for the rejection.
Charlotte Caron
Jun 14, ’12
8:13 PM
Human/animal portraits on photographs made by french artist Charlotte Caron. The animal masks look like they have appeared in a splash of energy, or like they’ve been shot out of a gun. Violent like jets breaking the sound barrier or fruit shot by a gun. The paintings I found on ffffound.
Off the Grid
May 9, ’12
6:06 PM
Photographer Eric Valli. I love the color quality of these photos. They remind me of the glossy pages of old National Geographics. Click through some of the other stories on his page, I liked Honey Hunters too.
Theremin Busker in Ljubljana
May 3, ’12
12:58 PM
Zhenya, Ana and I heard the strange music while standing on the triple bridge. At first I thought it was a saw player but as we got closer it was clear that the man was playing a homemade Theremin. His set-up included a PA system, mini disk player, CD player, all hacked into a homemade case and powered by a small gas generator 20 feet away and behind a sound baffle. Wonderful!
UPDATE:
Just a few hours after posting the video on YouTube someone called copperleaves made this very informative comment:
The busker is Romanian thereminist, Benedict Popescu. Other videos of this very unusual musician playing his even more unusual theremin can be found here on YouTube.